What is the date you began writing this piece of fiction and the date when you completely finished the piece of fiction? It’s not always easy to pin down when I begin a book because the way I sometimes write is that I’ll get an idea for a character, or a first line—never the plot for the whole book, because I’m the kind of writer who never knows what is going to happen on the next page, sometimes the next paragraph—write that and perhaps not get back to it for weeks. It used to depend on any writing assignments I might have, but since now I’m pretty much only writing fiction, that doesn’t come into play. Also, there’s often a long period between when you finish a book and that book is actually published. Sometimes, that can be almost two years. But back to answering your question. Since I’ve already completed my next novel (and I’ve even got about 20,000 words on a new one), I’m going to guess that I began writing Canary in the Coal Mine toward the end of 2019. And it usually takes me about a year to finish a book—and I must admit that I’m not the kind of writer who sits down and writes every day—I’m pretty sure I finished sometime in early January 2021.
Where did you do most of your writing for this fiction work? And please describe in detail. And can you please include a photo. I do all my writing at my desk, on a desk-top computer. I wish I were the kind of writer who takes pad and pen, or laptop, and goes to some coffee shop to write. But I’m not. If I were, I’d never get any writing done because I’d be much too busy watching other people. I don’t own a laptop anymore, but even if I did, I wouldn’t write on it because I hate the way the keyboard is set up. And the idea of trying to write on an iPad, which I do own, is terrifying. The reason is, and the reason I seem to be so prolific (at least to my friends) despite the little time I actually spend writing, I’m a very fast typist—up to around 90 words a minute. This is another good reason why I prefer writing on a computer, it’s so much easier to work up speed.
What were your writing habits while writing this work—did you drink something as you wrote, listen to music, write in pen and paper, directly on laptop; specific time of day? If you actually catch me writing, it won’t be while I’m doing something else, drinking, eating, listening to music, etc. I sit down at my computer, like I’m doing now, open up a blank page and start. Thank goodness for typewriters and then computers because I’m not sure I’d be a writer if I had to write everything by hand. It then becomes actual work and besides, my handwriting is not the easiest thing to read. I write at all times of day and sometimes night—and sometimes not at all. I have nerve damage in my foot (the result of knee surgery gone awry) so I can’t spend large amounts of time sitting. So, I’d say maybe fifteen minutes is my limit. So, if I’m really engrossed, I’ll get up and down from the computer several times over the course of a day. But I do prefer to write in bad weather—otherwise, I’m too tempted to go out—and for some reason between 6 and 8 p.m., if I’m going to write at all, seems to be a time of choice. I think I write better when it’s dark out, too.
Please include just one excerpt and include page numbers as reference. This one excerpt can be as short or as long as you prefer.
(Pages 5-14)
1
This Could Be the Start of Something Big
I wake up with a bad taste in my mouth.
It’s not the first time this has happened and it won’t be the last. I like to think of it as my personal canary in the coalmine. That taste usually means trouble on the horizon. Sometimes it’s someone else’s trouble. Sometimes it’s mine. Sometimes it’s both. Those are the times I have to watch out for.
Once I rouse myself from bed—it’s never easy when I’ve had a rough night—I launch into my usual routine. Shower, shave, brush my teeth, my pride and joy, especially the two phony teeth implanted on the upper left side replacing those knocked out in a particularly vicious fight I did not start, at least that’s the way I see it. The way I usually see it. It was a pickup softball game. A guy came into second hard and late and spiked my shortstop in the leg. It was bad. So bad, it took eleven stitches to close the wound. Someone had to do something and as usual I was the first one out there and the one who threw the first punch. That’s the drill for most of my fights. I never start them, well, hardly ever because being provoked doesn’t count. But when I do throw a punch I always have good reason. The fights usually end with me bloodied but unbowed. You might say I have a temper but I prefer to think of it as a short fuse and an obsession with justice. No one gets away with anything on my watch. I win a few. I lose a few. There’s always a price to pay and I always make my point. But let’s face it there are no real winners when it comes to violence. Everyone, even the winner, loses something. That’s just the way it goes.
These phony teeth of mine match the others perfectly. A dentist who owed me a favor—I provided him with all the information he needed to divorce his cheating wife and avoid being taken to the cleaners—planted them and swore no one could tell the difference. So far, he’s been right. I like to think those are the only phony things about me. Everything else, for better or worse, is me, all me. I don’t apologize for it. Take me or leave me. I don’t care.
Lately, I’ve had to curb the physical stuff. Now that I’m well into my forties, things are starting to fall apart. They say it’s the legs that go first, but in my case, it’s my shoulder. I displaced it throwing a punch at someone who deserved it, someone who’d had a little too much to drink and insulted a woman I was with. The embarrassing thing is I missed. Turns out that’s what did the damage. Missing my target. I had my arm in a sling for almost a month. It’s pretty much healed now though I sometimes feel it in damp weather. The doc warned me it could go out again any time. “Try to stay out of fights, Pete,” he said, then added, “though knowing you that’s not very likely.”
He was right. I’m combative. It’s my nature. I’ve never run away from a fight and I probably never will. If you don’t stand up for yourself, who will? I just have to be a little more careful now, which means choosing my battles more wisely.
I stop at the local diner for my usual breakfast: two cups of black coffee—neither of which take that bad taste out of my mouth—then head downtown to my office in Greenwich Village. Well, let’s be honest here. It’s not really my office. It’s the office of a friend who runs a small real estate firm here in the city. He has an extra desk he rents me for only a couple hundred bucks a month, which includes phone service and a receptionist, if you call the person who takes up space at a desk upfront a receptionist. I mean, shouldn’t a receptionist be able to take a proper message? Shouldn’t they be able to direct someone to your desk, even if it is in back, half-hidden behind a pillar? But there’s a hitch—there always is. When business picks up and they have to hire another broker, it’s arrivederci, Pete. Fortunately, in the two years I’ve been here that’s only happened once, and then just for a couple months.
New York City real estate is like having a license to print money, but the competition for listings is fierce and how anyone but the crème de la crème makes a living is beyond me. But I can’t say being without an office puts much of a dent in my business, since it’s always been pretty much touch and go. Thank goodness for that bank overdraft protection thing which has kept the wolves from my door more times than I’d like to admit.
I’m a P.I. I have a license that says so. I take it out and look at it every so often, just to remind myself I actually have a profession. Profession. I say the word aloud. It’s a strange word. It makes me think of the “world’s oldest.” I’ve done pretty much everything in my life except for that, though some might not make much of a distinction between what I do and what they do. They do it on their back. I do it on my feet. That’s pretty much what sets us apart. It’s like that Sinatra song. You know the one. Puppet, pauper, pirate, poet, pawn and king. Only with me substitute menial jobs like shoe salesman, night watchman, doorman—one summer the year after I graduated college—hot dog vendor, dog walker, even a short stint as a waiter. I was the world’s worst. Half my salary went for broken glassware and plates. Once, I actually had to pay for a guy’s meal out of my own pocket to keep him from ratting me out to the owner and getting me fired. Turned out it wasn’t a very good investment. The next day I got canned anyway. I also spent a short time as a cop. More on that later.
This job as a P.I. stuck by process of elimination. The only real talent I have for anything was as a ballplayer, and after I washed out of the game because of injuries that pretty much made it impossible to throw or swing a bat, then trashed my way through that bunch of other jobs, I realized I was suited to do little else. My new profession meets a laundry list of criteria.
- I do not have to wear a suit and tie.
- I do not have anyone telling me what to do, where to be, and when to be there.
- It gives me an opportunity to use my brain, brawn (not that I’m brawny, but even now I’m still pretty solid, topping out at 170 pounds on my five-foot-ten-inch frame, but I’ve always been a physical guy willing to use what muscle I had) and ingenuity. But not too much of any of the three.
- A job that doesn’t take too much concentration since like half the population of the world I’ve got ADHD issues. In other words, I lose interest very quickly.
- I make my own hours.
- I mind someone else’s business while I can ignore my own.
- The job fits my cynical, paranoid personality which makes me suspicious of everyone and a strong belief in Clare Booth Luce’s claim that No good deed goes unpunished. I believe there is evil lurking in everyone’s soul, especially mine, though I do my best to fight against those darker urges. Other traits I own up to include being lazy, combative, argumentative, and stubborn. I am also a born snoop. I love getting up in everyone else’s business, which gives me the perfect excuse to avoid mine.
I didn’t grow up watching cops and robber shows. My drug of choice was sports, especially baseball. I loved the game not only because I was good at it but because although it appears that for long stretches of time nothing is happening there’s always something going on, even if it isn’t discernible to the eye. Baseball is not just a game of physical skill. It’s a game of thought, analysis, contemplation and anticipation. Unlike other team sports, there is no time limit. It takes as long as it takes, and in this sense, it mimics life. No one knows when it’s going to end. Theoretically, a game can go on forever, ending only when one team has scored more runs than the other. It is a game of nuance. It is a game that can be won with power, or speed, or defense, or a combination of these attributes. It can be won on the mound, at the plate, or in the field. It can be won by a score of one nothing or twelve to eleven. It can end as a result of a timely hit or an untimely error. It is a game of ebb and flow. It is unpredictable. Just like life.
I’ll take a thinking player over a naturally talented one any day of the week. Baseball is a game like chess. The best ballplayers are always several steps ahead of the game. They’re thinking about what they’ll do long before they actually do it. “If it’s hit to me I’ll fake the runner back to second then go to first.” That sort of thing does not show up on the TV screen nor does it appear in the box score. But that’s what wins and loses games.
Baseball imitates life: Long stretches of nothingness, then short bursts of action, which comes as a logical conclusion of those stretches of nothingness. This is much how our lives unfold. At least it’s the way mine does.
I thought I’d make it as a major league ballplayer, but I never got the chance to prove it. I was a pretty good high school pitcher and when I wasn’t pitching, I played shortstop with middling range, a good arm and a better than average bat, although I lacked power. I told myself I’d grow into it, though I never did. I threw the ball in the mid 80s, not very fast by today’s standards, when young players can now flirt with 100 on the gun. But I had a decent curve and was working on what I hoped would be a better than average changeup. I figured by the time I got to the minors I’d ramp it up, adding a few mph to the fastball. I was good enough to earn a partial scholarship to a small upstate New York college.
But before I got halfway through my first college season, I developed arm trouble. In those days, more than a quarter century ago, Tommy John surgery wasn’t what it is today and it certainly wasn’t for college kids without a buck to their name. Even if I wanted it, who was going to pay for it? My father was lucky to make the rent each month and if it hadn’t been for that athletic scholarship, I would have wound up working some soul-sucking civil service job.
Once I accepted the fact I’d never pitch again, I had to shift gears, away from the idea of becoming a professional athlete. They let me keep the scholarship so long as I maintained my grade point average. I was certainly no A student, but when I put my mind to it I can do almost anything, no matter how unlikely. I sure as hell wasn’t the best student in the world, but I wasn’t the worst either, and somehow, I made it through to graduation. The first to do so in the Fortunato line. My mother’s family was a bunch of brainiacs. She went to college and might have gone further if she hadn’t met my father. That was the first thing he screwed up in her life. It wouldn’t be the last.
I’d like to say I’m choosey about the kinds of cases I take, but that would be a lie. It’s not that I don’t lie, by the way, it’s just that I don’t lie frivolously, which makes it difficult to know whether what comes out of my mouth is the truth or a lie. That’s not necessarily a bad thing. In fact, in my business it probably qualifies as a plus.
It’s that time in New York when the city isn’t quite sure what season it wants to be. A few days before Halloween, people are already gearing up for Thanksgiving, then Christmas. Always one, sometimes two holidays ahead of itself. One day in late August, I was shocked to see plastic pumpkins lined up on display in a CVS pharmacy. As if life isn’t disorienting enough.
The weather doesn’t help. Today, when I look out my window the sky is cloudless and that shade of deep blue so beautiful it makes you want to cry. But it’s deceiving because when I get outside the temperature is hovering in the low forties. But like the city itself, the weather can break your heart by promising something it just can’t seem to deliver. Tomorrow it’s supposed to be pushing 70, at least that’s what the weather people are forecasting. And as if that isn’t disorienting enough, the next day it’s supposed to drop back to the fifties with overcast skies and intermittent showers. It’s that schizo time of year when you never quite know what to wear. As a result, I always seem to be dressed one or two days ahead or behind the weather.
I usually roll into my office around ten, which I think is a pretty decent time considering the erratic hours I keep. Sometimes it’s because I’m on a job, sometimes it’s because I often suffer from debilitating bouts of insomnia. When that strikes either I lie in bed thinking about all the things I could have done different in my life, and there are plenty, or I get up, get dressed, and roam the streets. In this city, there’s always plenty to keep things interesting. So yeah, New York really is the city that never sleeps. At least that’s true for some of its citizens. No matter how late or early it is I’m never the only one walking the streets. But I’m probably the only one who has no idea where he’s going.
Obviously, not everyone is in agreement about arriving at a decent hour thing, because half a dozen other desks in the office are already filled with folks either working the phones or staring blankly into their computer. I park myself at my desk way in the back, near the bathroom, and as soon as I do Philly, my friend and boss man of the real estate firm, appears in front of me.
“I wasn’t sure you were coming in today, Petey,” he cracks. He flashes a goofy grin after the words tumble out of his mouth like a waterfall. He’s a born and bred New Yorker so he talks as if he’s in a race to finish a sentence so he can move on to the next one. Sometimes, he speaks so quick the words stick to each other and he is this close to being unintelligible. Unlike others who have to ask him to slow the fuck down, I, being a born and bred New Yorker, too, can understand him without much effort.
When he speaks, he bares his teeth which are a dull yellow and seem to be in a life or death struggle for room in his mouth. But his nose, well, that’s another story. Unlike mine, which has been broken too many times to count, his is straight and in perfect harmony with the rest of his face. You might suspect he’s had work done on it, but no, Philly was born this way. He is, no doubt about it, a handsome man—except for those teeth, which I keep advising him he ought to get fixed—and he knows it. He’s been married three times, each one of them a stunner, and if he ever gets divorced from his present wife, Marnie, I have no doubt there’ll be a fourth waiting in the wings. He can afford it, though. Being in the real estate game in New York City these days is like having a license to print money.
“What are you talking about?” I say, tapping my watch for emphasis. “This is fucking early for me.”
“I’ve been here since eight, my friend. That’s early.”
“You’re not going to tell me about the damn bird, are you?”
“What bird?”
“The one who gets the worm.”
“I don’t need any bird to tell me when to get to work, Petey.”
“What can I say, Philly, other than you’re a better man than me.”
“Damn straight. You’d give everything in your bank account to change places with me, Petey, and you know it.”
“That wouldn’t be much, Philly, and you know it.”
He shrugs. “Maybe that’ll change. There was a broad in here earlier looking for you.”
“Yeah?”
“That’s right.”
“She actually asked for me?”
“Yeah. By name, not the usual ‘where’s that scumbag owes me money?’”
“What’d she look like?”
“That’s the first thing you ask?”
“I yam who I yam.”
He smiles. There are those teeth again. I want to give him the name of my dentist but I know it won’t do any good, so why bother?
“You and Popeye. She looks like you’d want to get to know her and spend a lot of time with her. If I weren’t so blissfully married, she’d be at the top of my list for number four.”
I resist asking, how long’s that gonna be for? and say instead, “That good, huh?”
“Yeah. That good.”
“I hope you didn’t try to sell her an apartment.”
“She didn’t look like she needed one.”
“Did she tell you why she wanted to see me?”
“Nope. But she did give me this.” He pulls a business card out of his pocket and tosses it on my desk. “Said you should call her. If I were you, I’d do it ASAP. She reeked of money and folks with money don’t like to be made to wait.”
I look at the card then bring it up close to my nose. It smells like lemons. The name on it is Lila Alston. I like the sound of that. And the smell of lemons. Her name reminds me of those in one of those pulp crime novels. Like Velma. Or Bubbles.
As soon as Philly dismisses himself I dial the number. A woman’s voice answers. I take a shot.
“I believe you were looking for me, Ms. Alston.”
“If you’re Peter Fortunato that would be correct. But it’s Mrs. Not Ms. At least for the moment.”
“Then I’ll take a wild guess and say this has something to do with your husband.”
She laughs. It is short and it is raspy and it is sexy. Very sexy. “That’s correct. And it appears I may have found the right man…for a change.”
“Would you like to meet in person or continue this over the phone, Lila?”
“I liked it better when you were more formal, Mr. Fortunato. At least until we get to know each other a little better.”
I can’t wait. I’m already getting the beginnings of a hard-on.
“Got it. So, phone or meet up, Mrs. Alston?” I’m hoping she’ll agree to the latter. I have to see for myself what this chick looks like, because Philly is only prone to exaggeration when it comes to real estate.
“I suppose a face to face meeting would be more advantageous. This is a rather…odd situation and it might take some explaining.”
“I specialize in odd situations, Mrs. Alston.”
“I suspected as much.”
“By the way, how did you come to get in touch with me?”
“I went down a list of private investigators until I found a name I liked. It happened to be yours. Fortunato. It has a rather nice ring to it.”
“Yeah, just like the sound of a cash register. So, you know nothing else about me?”
“I didn’t say that, Mr. Fortunato. I didn’t say that at all.”
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Why is this excerpt so emotional for you as a writer to write? And can you describe your own emotional experience of writing this specific excerpt? Sometimes, everything you write is an emotional experience, but for me it’s especially emotional if it’s the first chapter. Part of that is because it’s the part of the novel that’s probably rewritten the most times, sometimes up to a couple dozen times, because it’s so important to get it “right” (which never actually happens, by the way—that’s why I never reread any of my books because I can see how I wouldn’t have written it differently if given another chance. It’s why I have a very hard time doing readings of published work. I often just read something I’m working on now, even if I’m promoting a book that’s just been published. That’s because just knowing it’s not the final version is very liberating. But, when I do think I’ve got it as good or “right” as I can, then the emotion is a mixture of glee and relief, because it means I’m headed in the right direction.
Click on the below link to visit Tom Straw’s website.
As an example of how I work, the first line, “I wake up with a bad taste in my mouth,” was the only thing I had when I started. No plot. No real character. So, in a way, everything came from that one line. I just knew that if I started it that way the reader would know that something was wrong, out of kilter, and then the entire rest of the book is justifying why he wakes up with that bad taste in his mouth.
Click on the below link to visit Sam Wiebe’s website
Were there any deletions from this excerpt that you can share with us? And can you please include a photo of your marked up rough drafts of this excerpt. I wish I could send you a marked-up version, but I don’t usually keep old versions of my work, and I often don’t print anything out, but just work right from the computer. Of course, when I was working on a typewriter, I had plenty of marked-up versions.
And I almost always work from one single document. So, for instance, I don’t have the first version of Chapter 1. It’s not really important to me as to where it came from, but rather where it is now and where it’s going.
https://www.charlessalzberg.com/
Most of the INSIDE THE EMOTION OF FICTION links can be found at the very end of the below feature:http://chrisricecooper.blogspot.com/2021/03/stephenson-holts-arranged-marriage-is.html